Tuesday, August 11, 2015

Architects' Libraries

Tulane University Libraries have benefited from donations made by the region's architects and their estates. Many of these historic gifts bear the signatures of their owners or their personally designed bookplates.

Architect Frank G. Churchill (Natchez, MS 1876- New Orleans, LA 1924) created his own ex libris (shown above). After attending Tulane University during the mid-1890s, Churchill studied painting in Cincinnati, Ohio.(1) He was briefly a principal in the DeBuys, Churchill & Labouisse firm before entering private practice.
His library included a copy of George Louis Adams' L'architecture moderne; élécations, coupe plans d'ensembles, et de détails de maisons de ville et de campagne (Paris, 1847). The book is incredibly scarce, and Churchill's copy bears the stamp of the Mayor of Saint-Quentin (Aisne, Picardy, France).
James Gallier, Sr. (1798-1866) also owned a copy of L'architecture moderne. He pasted the plates from both volumes into a large scrapbook that he had purchased from H.G. Stetson & Company, 54 Camp Street.


(1)"Orleans Artist, Architect, Dies in Life's Prime." The Times-Picayune 7 March 1924.

Images above:  Frank G. Churchill. Ex Libris, Undated. As it appears in George Louis Adams. L'architecture moderne; élécations, coupe plans d'ensembles, et de détails de maisons de ville et de campagne, Vol. 2 (Paris, 1847). Rare Books Unit, Tulane University Libraries.  Jones Hall Rare Books (large) NA7346 .C5

James Gallier, Sr. Scrapbook.  Plate from George Louis Adams. L'architecture moderne; élécations, coupe plans d'ensembles, et de détails de maisons de ville et de campagne, Vol. 1 (Paris, 1847). Sylvester Labrot Collection, Southeastern Architectural Archive, Special Collections Division, Tulane University Libraries.

Tuesday, August 4, 2015

New Orleans Architect, Elizabeth Kendall

Elizabeth Kendall [later Thompson] graduated from Newcomb College in 1929 before attending the University of Wisconsin (M.A. 1930). When she completed her graduate program in Spanish and French literature, she returned to New Orleans in order to study architecture at Tulane University. Her classmates included William King Stubbs and Samuel Wilson, Jr.
Kendall attended Tulane for two years, from 1930-32.She joined the Tulane Architectural Society and became the architecture editor for the school's newspaper, The Hullabaloo.
In 1932, she left New Orleans to study architecture at the University of California-Berkeley. According to her 1998 obituary, UC-Berkeley discouraged dual master's degrees at that time, and so despite concluding her studies in architecture, she did not graduate.(1)

Upon the completion of two years at Berkeley, Kendall returned to her family home in New Orleans. From 1934-35, the Southern Pine Company employed her as an architect/draftsman engaged in designing catalog homes.

She relocated to New Hope, Pennsylvania in order to teach humanities at the Holmquist School for Girls in 1935. This proved a short stint, for she obtained a position in New York City as the assistant news editor for Architectural Record in 1937. Within a short time, AR promoted Kendall to the position of associate editor. She "retired" upon her 1941 marriage to Bay Area architect Frank Hofmann Thompson, whom she had met while both were students at Berkeley.

AR enticed Elizabeth Kendall Thompson out of retirement in 1947.(2)  She became the journal's western editor and then senior associate editor for the western district, which included eleven states, Alaska and Hawaii.


(1)Allan Temko. "Elizabeth Thompson." SFGATE 21 April 1998. As viewed 4 August 2015 via: http://www.sfgate.com/news/article/OBITUARY-Elizabeth-Thompson-3008458.php

(2)Elizabeth Kendall Thompson. Letter to Samuel Wilson, Jr. 19 February 1952. Box 5. Miscellaneous Correspondence. Samuel Wilson Jr. Papers and Drawings, Southeastern Architectural Archive, Special Collections Division, Tulane University Libraries.

For more on Kendall, see AIA Membership File for "Elizabeth Kendall Thompson." AIA Historical Directory of American Architects. URL:  http://public.aia.org/sites/hdoaa/wiki/AIA%20scans/T-Z/Thompson_ElisabethK.pdf

Images above, top to bottom:  Jambalaya (1929); Jambalaya (1931); Jambalaya (1932). All available through Tulane University Digital Library (TUDL) and the Internet Archive.

Monday, August 3, 2015

Of Dungeons & Manuscripts

In planning the Southeastern Architectural Archive's Medieval Louisiana exhibit, we came across a number of relevant historic news items. This mention in The Christian Observer dated 19 March 1840 piqued our curiosity:

Dungeons of the Inquisition in New Orleans

"A curious discovery has been made by some workmen employed in erecting houses on the site of the old Calaboose. That ancient building, which dates far back into Spanish times, was recently pulled down, and the ground on which it stood sold out to private individuals. The purchasers immediately commenced improvements upon the property, being valuable, from its location in the centre of the city. In the course of operations to this effect, it was found necessary to dig several feet under the surface, to lay a substratum for the walls of the houses about to be built. The labourers, in excavating at a particular spot, discovered that their progress was retarded by some hard substance, which resisted any impression from the working tools."

* * *

The Daily Picayune had reported on the discovery one month earlier:

The Subterranean Vaults

"The excavations into the old vaults discovered behind the calaboose were continued yesterday and the chain gang were employed digging out the mud and rubbish. Nothing was found that could lead to any knowledge of their history and after digging about six feet into a strongly arched passage the workmen were stopped by an iron door, and the labor was abandoned until to-day, when the search will be continued.

"An old creole woman, upwards of a hundred years of age, it is said remembers that upon this spot stood a building in which Jesuits resided; and the most plausible supposition that can be arrived at, is, that these strong vaults were prepared as places of deposite for valuable manuscripts and other precious things, in case of war or other danger placing their establishment in jeopardy. That they were designed for some more than ordinary purpose is evident from the massive iron archings, and careful mason work used in their construction. The very fact of an apartment being built under ground in our soil, is sufficient evidence that it was designed for no common purpose; and it is also probable, although anxious precaution may have led to the construction of those vaults, that no urgent necessity ever called for their use. At any rate they should be thoroughly examined, not merely to satisfy the natural curiosity of the public, but the search should not cease while even the slightest probability exists of anything strange or secret being brought to light. If they are covered now, without their history being unfolded, they may be opened again in a succeeding century, and mystery may then assume what shape she pleases, bidding defiance to scrutiny. It will take but little labor to explore these recesses carefully, and a single relic found would amply repay investigation. They should be searched at any rate, that false constructions may not be left to perplex the public mind."

* * *

The Editor of the New Orleans Bulletin was allowed access to the excavation site, and The New Yorker picked up his report:

Discovery of An Inquisition

"'We found that considerable progress had been made in the excavation since our visit two days previous. The water and mud were drained out by means of a fire engine so as to expose the upper section of the cell, the bottom being still covered with mire and rubbish three feet deep. On a temporary bridge of scantling we descended under the arch, so as to have a fair prospect of all that could be seen. The vault may be described as a cell arched over with brick walls and ribs of iron, about seven feet in altitude, and as many broad. On three sides, it is entirely shut in by solid masonry and iron bars.

"'The only outlet is on the side facing the South. Here a narrow arched passage opens into the vault. The floor of the passage is on the same level with that of the main apartment. The height is not so great, being about six feet, and the breadth about two feet and a half. The dimensions were large enough to permit the transit of a man of ordinary size, without difficulty. The extent of the arched recess or passage leading from the vault, has not been ascertained. It runs horizontally in a southern direction, and can be traced a distance of ten feet or more under the ground. The excavation will have to be carried on still farther before the subterranean apartments can be fully explored.'"


If you are wondering about the appearance of colonial structures,  you may want to consult the University of North Carolina's Research Laboratories of Archaeology portal.

A January 1730 plan, section and elevation of New Orleans prisons has been digitized by the Archives nationales d'outre-mer here.

The old calaboose referred to above was located in the general vicinity of Exchange Alley, the Second Municipal District, Square 44.


Quoted matter above:

"Dungeons of the Inquisition in New Orleans." Christian Observer 19 March 1840. Accessed via American Periodicals database.

"The Subterranean Vaults." The Daily Picayune 19 February 1840. Accessed via America's Historical Newspapers database.

"Discovery of An Inquisition." The New Yorker 7 March 1840. Accessed via American Periodicals database.


NEW! Blitch Finding Aid

The Southeastern Architectural Archive recently finalized the processing of the Blitch Architects, Incorporated Office Records. The collection consists of architectural drawings representing the following firms: J. Buchanan Blitch & Associates and Blitch Architects, Incorporated.

Read more about the Blitch practice in the online finding aid here.

If you are unfamiliar with the Southeastern Architectural Archive's holdings, consult its list of "Finding Aids by Collection Name."

Friday, July 31, 2015

NEW! John Lawrence Finding Aid

The Southeastern Architectural Archive recently finalized the processing of the John Lawrence Office Records. The collection consists of architectural drawings representing the following partnerships: John W. Lawrence and Sam T. Hurst (1950-1951); John W. Lawrence and George A. Saunders (1951-1954), Lawrence, Saunders, and Calongne (1954-ca. 1960);  Lawrence and Saunders (ca.1960-1971).


Read more about John Lawrence in the online finding aid here.

If you are unfamiliar with the Southeastern Architectural Archive's holdings, consult its list of "Finding Aids by Collection Name."

Thursday, July 30, 2015

NEW! Nolan Finding Aid

The Southeastern Architectural Archive recently finalized the processing of the William T. Nolan Office Records. The collection consists of architectural drawings, correspondence, building trade catalogs, specifications and photographic materials.

William T. Nolan was born in Quebec City, Canada, where he studied law before serving as English secretary to Quebec Bridge and Railway Company president Simon-Napoléon Parent. He relocated to New Orleans in 1900 and within two decades, he had become a prolific designer of buildings in Louisiana and Mississippi. His architectural practice and that of his successors spanned eight decades of the twentieth century. Nolan’s legacy included nearly two hundred schools.

Read more about the architect in the online finding aid here.

If you are unfamiliar with the Southeastern Architectural Archive's holdings, consult its list of "Finding Aids by Collection Name."

Monday, July 27, 2015

Architect & Calligrapher

New Orleans architect-educator Milton G. Scheuermann, Jr. retired from the Tulane School of Architecture (TSA) this spring after 56 years. This month, the Southeastern Architectural Archive opened a new exhibit in his honor. Titled Medieval Louisiana, the exhibit highlights Scheuermann's polyphonic associations.

For many years, Scheuermann taught TSA calligraphy classes, and provided his lettering skills to non-profit and carnival organizations. In 1987, Save Our Cemeteries asked him to create the lettering for John Geiser's "Certificate of Appreciation" (shown above).

Scheuermann's work can also be found at the corner of Canal and Broad Streets, in the iron ornamentation of the former Whitney Bank building (now Family Dollar).



Images above:  Milton Scheuermann, Jr. "Certificate of Appreciation." New Orleans: Save Our Cemeteries, 1987. John Geiser III Papers, Southeastern Architectural Archive, Special Collections Division, Tulane University Libraries.

Milton Scheuermann, Jr. Ornamental Iron for Whitney National Bank. Parham & Labouisse, architects. 1964-66. 2650 Canal Street, corner South Broad. Broad Street detail from Google Street view. 2015.