In 1924, landscape architect William S. Wiedorn published an article intended for Kansas property owners desirous of improving their yards. "Beautifying the Home Grounds of Kansas" included general advice and a comprehensive planting list. For those struggling to design their gardens, Wiedorn offered the advice of K-State Agricultural College's horticultural department provided inquiring parties supplied a plat.
A LIST OF TREES, SHRUBS AND PLANTS FOR KANSAS HOME GROUNDS
TREES FOR STREET PLANTING
White elm
Pin Oak
Silver maple
Hackberry
Sycamore
Honey locust
TREES FOR YARD PLANTING
Basswood
Tulip tree
Green ash
Osage orange
Russian mulberry
SHRUBS
Japanese barberry
Van Houtes spires
Common privet
Armur river privet
Buckthorn
Bush hydrangea
Butterfly bush
Tamarisk
Fragrant sumac
Staghorn sumac
Indian currant
Japanese quince
Golden bell
Morrow's honeysuckle
Red-twigged dogwood
Common lilac
Rose of Sharon
Mock orange
VINES
Bittersweet
Japanese clematis
Jackman's clematis
Five-leaved ivy
Climbing roses: Dorothy Perkins, Crimson rambler, Climbing American Beauty, Tausenschon
EVERGREENS
Trees
Scotch pine
Austrian pine
Jack pine
Bull pine
Red cedar (best evergreen for Kansas)
Douglas spruce
Shrubs
Fragrant honeysuckle
Low juniper
Vines
Memorial rose
Hall's honeysuckle
ROSES
Prairie Rose
FLOWERS
Bulbs (Spring)
Crocus
Narcisssus
Tulip
Hyacinth
Bulbs (Summer)
Tiger lilies
Dahlias
Gladiolus
Cannas
PERENNIALS
English daisy
Periwinkle
Columbine
Bleeding heart
Iris
Goat's beard
Sweet William
Foxglove
Oriental poppy
Garden pinks
Oriental larkspur
Hollyhocks
Carpathian harebells
Hardy phlox
Peonies
Asters
Evening primroses
Gaillardia
Coreposis
Shasta daisies
Yucca filamentosa
From: W.S. Wiedorn. "Beautifying the Home Grounds of Kansas." The Biennial Report of the Kansas State Horticultural Society. Topeka: Kansas State Printing Plant, 1924, pp. 150-156.
Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts
Tuesday, July 12, 2016
Monday, May 9, 2016
Wiedorn in Kansas
New Orleans landscape architect William Wiedorn (1896-1990) taught landscape gardening at Kansas State Agricultural College from 1920-1924. During part of that time, the college advised on more than 201 landscape gardening efforts in 32 counties. While some 18% were public parks, the vast majority were private residential beautification projects.(1)
Wiedorn worked with horticulture professor Albert Dickens to supervise the improvement of the state capitol grounds in Topeka. They installed an underground irrigation system and recommended turning under an expanse of Sudan grass followed by a blue grass sowing. (2)
Dodge City hired the young landscape designer to superintend the planting of nearly 800 trees and shrubs in its Wright Park.(3) Other projects included the Augusta High School, Kansas State Penitentiary (Lansing), the Osawatomie Hospital and the Kansas State Tubercular Sanitarium (Norton). The latter is shown below.
(1)"College Lends Aid in Kansas Landscaping." Industrialist 18 October 1922.
(2)"Dickens and Wiedorn Help Beautify Capitol Grounds." Industrialist 28 September 1921.
(3)"Farmers as Guests." The Hutchinson News 13 April 1922.
Images above: "William S. Wiedorn" in The Royal Purple. Detail enhanced. 1922; The Royal Purple. Detail enhanced. 1924. "Landscape Gardening" in Sixth Biennial Report of the State Sanatorium for Tuberculosis, Norton, Kansas for the Two Years Ending June 30, 1924. Topeka, 1924.
Wiedorn worked with horticulture professor Albert Dickens to supervise the improvement of the state capitol grounds in Topeka. They installed an underground irrigation system and recommended turning under an expanse of Sudan grass followed by a blue grass sowing. (2)
Dodge City hired the young landscape designer to superintend the planting of nearly 800 trees and shrubs in its Wright Park.(3) Other projects included the Augusta High School, Kansas State Penitentiary (Lansing), the Osawatomie Hospital and the Kansas State Tubercular Sanitarium (Norton). The latter is shown below.
(1)"College Lends Aid in Kansas Landscaping." Industrialist 18 October 1922.
(2)"Dickens and Wiedorn Help Beautify Capitol Grounds." Industrialist 28 September 1921.
(3)"Farmers as Guests." The Hutchinson News 13 April 1922.
Images above: "William S. Wiedorn" in The Royal Purple. Detail enhanced. 1922; The Royal Purple. Detail enhanced. 1924. "Landscape Gardening" in Sixth Biennial Report of the State Sanatorium for Tuberculosis, Norton, Kansas for the Two Years Ending June 30, 1924. Topeka, 1924.
Tuesday, January 12, 2016
Displacement
This week is my last at Tulane University Libraries' Southeastern Architectural Archive. I have taken a position as head of the Richard L. D. and Marjorie J. Morse Department of Special Collections at Kansas State University.
In sorting through personal and professional files, I've come across a few things I had set aside to investigate later. Photographs of costumed ladies posed against painted backdrops, a flood-devastated western town, bright linens hanging outside a rustic lakeside cabin (above). I acquired all these images by digging through boxes at the Originals Mall of Antiques in Oshkosh, Wisconsin. None of them bore any textual identification, familial or geographic designations.
The Western Town
A series of three photographs documented some natural disaster, possibly a bad storm and/or flood. I had speculated the pictures were from the late 19-teens, but using a Peak Lupe 8x Model 2018, I could make out the following building markers:
Hotel Vail (below, left)
Santa Fe / The Hub (below, center)
The Hotel Vail is still standing and is on the National Register, so identifying the locale as Pueblo, Colorado was fairly easy.
Not knowing anything about Pueblo's history, I used America's Historic Newspapers database and Denver Public Library's Digital Collections to confirm that the event was the June 3, 1921 flood. The unidentified photographer focused his/her lens on the the vicinity of the high water mark along Union Avenue. At its peak, the flood covered over 300 square miles.
The Photo Postcard Studio
A series of four real-photo postcards presented women dressed in costumes set against painted backdrops or decorative curtains. They seemed to be from the 1940s, and given the subject matter, most likely from the Great Plains. The photographer used EKC paper with undivided backs, but none of the versos bear anything more distinctive.
There is a Cultivator
And a Reaper
And Two Harvesters
And a Geisha
Yes, a geisha. With a cherry blossom kimono and a peacock-feathered fan.
In the last decade, there has been a growing interest in rural studio photography:
The John Michael Kohler Art Center's current exhibit Bringing to Light: The Massengill Family Photo Collection (through 17 January) features portraits produced in an Arkansas mobile studio. Many of the images are hand-colored close-up photographs; some can be viewed via Maxine Payne's 2004 Making Pictures: Three for a Dime.
Luc Sante's Folk Photography: The American Real-Photo Postcard (2009) addresses the proliferation of small-town photo postcards during the early twentieth century. Sante's interest in the format stemmed from a random encounter with a New York peddler over thirty years ago.
In sorting through personal and professional files, I've come across a few things I had set aside to investigate later. Photographs of costumed ladies posed against painted backdrops, a flood-devastated western town, bright linens hanging outside a rustic lakeside cabin (above). I acquired all these images by digging through boxes at the Originals Mall of Antiques in Oshkosh, Wisconsin. None of them bore any textual identification, familial or geographic designations.
The Western Town
A series of three photographs documented some natural disaster, possibly a bad storm and/or flood. I had speculated the pictures were from the late 19-teens, but using a Peak Lupe 8x Model 2018, I could make out the following building markers:
Hotel Vail (below, left)
Santa Fe / The Hub (below, center)
The Hotel Vail is still standing and is on the National Register, so identifying the locale as Pueblo, Colorado was fairly easy.
Not knowing anything about Pueblo's history, I used America's Historic Newspapers database and Denver Public Library's Digital Collections to confirm that the event was the June 3, 1921 flood. The unidentified photographer focused his/her lens on the the vicinity of the high water mark along Union Avenue. At its peak, the flood covered over 300 square miles.
The Photo Postcard Studio
A series of four real-photo postcards presented women dressed in costumes set against painted backdrops or decorative curtains. They seemed to be from the 1940s, and given the subject matter, most likely from the Great Plains. The photographer used EKC paper with undivided backs, but none of the versos bear anything more distinctive.
And a Reaper
And Two Harvesters
And a Geisha
Yes, a geisha. With a cherry blossom kimono and a peacock-feathered fan.
In the last decade, there has been a growing interest in rural studio photography:
The John Michael Kohler Art Center's current exhibit Bringing to Light: The Massengill Family Photo Collection (through 17 January) features portraits produced in an Arkansas mobile studio. Many of the images are hand-colored close-up photographs; some can be viewed via Maxine Payne's 2004 Making Pictures: Three for a Dime.
Luc Sante's Folk Photography: The American Real-Photo Postcard (2009) addresses the proliferation of small-town photo postcards during the early twentieth century. Sante's interest in the format stemmed from a random encounter with a New York peddler over thirty years ago.
Friday, December 9, 2011
Louisiana Pecans
A recent acquisition in the Garden Library of the New Orleans Town Gardeners, located at Tulane University's Southeastern Architectural Archive, is Gary Paul Nabhan's Renewing America's Food Traditions: Saving and Savoring the Continent's Most Endangered Foods (2008).
Among his endangered foods, Nabhan includes the Centennial Pecan, a hardy propagation with a delicate flavor developed by a plantation slave known only as "Antoine," who grafted scionwood from a native tree found on the Anita Plantation onto rootstocks growing at Oak Alley Plantation (St. James Parish). Antoine's pecan became famous when it was named "Best of Show" at the Centennial Exposition in Philadelphia, Pennsylvania (1876).
In the late nineteenth century, New Orleans seedsman Richard Frotscher was selling the pecan under the name "Centennial," and also propagated his own pecan, known as "Frotscher" or "Frotscher's Egg Shell Pecan." Other Louisiana pecans were developed by William B. Schmidt of New Orleans (the "Pabst"), Duminie Mire of Union (the "Van Deman"), and Sebastian Rome of Convent (the "Rome"). The so-called Jewett pecan, named in honor of Colonel Stephen Jewett, originated from a nut purchased in New Orleans that was planted in Scranton, Mississippi by the young son of Charles M. Cruzat. The original Jewett pecan tree was still standing in 1904.
Read more about the history of pecan agriculture in The Yearbook of the Department of Agriculture 1904 (Washington, DC: Government Printing Office, 1905), pp. 405-416. Images above by B. Heiges for this publication, which is available via Google Books.
Additional resources related to Louisiana pecans may be found in the Garden Library of the New Orleans Town Gardeners and the Louisiana Research Collection, both part of Tulane University's Special Collections Division. Notable among these holdings are nurseryman William Nelson's Price List of Trees and a Practical Treatise on Pecan Growing and Richard Frotscher's Almanac and Garden Manual for the Southern States, both printed by New Orleans printer George Müller. These and other titles may be searched through Tulane's online public access catalog here.
Labels:
hickories,
pecans,
plantations,
trees
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